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For more than 50 years, the Eden Roc
Renaissance Miami Beach has graced Miami Beach’s pristine Golden
Mile at 45th Street and Collins Avenue. Its 1950s and 60s hey day
established it not only as a legendary landmark, but as South
Florida’s premier resort property sought by many of the nation’s top
entertainers and celebrities.
Eden Roc
Architecture
Eden Roc Renaissance Miami Beach was originally designed by famed
architect Morris Lapidus, who also designed the Fontainebleau next
door and the Americana Hotel, which became known as the Sheraton Bal
Harbour. Lapidus was a virtual newcomer to hotel design,
specializing in the design of retail storefronts. His curvy,
innovative hotel designs were widely criticized and, though
considered daring at the time, later earned the 96 year-old Lapidus
national acclaim and numerous speaking engagements in which he
always insisted his best revenge on his critics was outliving them.
Lapidus revolutionized store design and
merchandising from 1929 to 1949 for stores such as Macy’s and Saks
Fifth Avenue. He figured that he could do the same with hotels when
a friend approached him with the challenge of designing his first
hotel: The Fontainebleau. Though an architect had already proposed a
design for the hotel, owners Ben Novack and Harry Mufson were not
pleased. They wanted an exciting hotel and after their first meeting
with Lapidus, he was commissioned as the associate architect on the
Fontainebleau project.
Next door to the north, Mufson bought the
Warner Estate, which belonged to one of the Warner Brothers, with a
promise to build an even grander property: Eden Roc. Along with this
promise came a new enemy, former partner Ben Novack.
Lapidus was again commissioned by Mufson to
design the Eden Roc. "I don’t want any of that French stuff you used
at the Fontainebleau. That’s for kids," he said. "I wanted people to
come in and fall on their backs," says Lapidus. As research for this
project, Lapidus traveled to the very elegant Eden Roc in France; a
favorite vacation spot for The Kennedys. While touring Europe, he
purchased statues, marble, and Venetian glassware for use in
designing the hotel that would later be deemed a vision of the
Italian Renaissance.
Through the years, many industry veterans have
attempted to identify Lapidus' style with a particular school of
architecture. But Lapidus distinguishes his style from all others.
"In my opinion, the Fontainebleau was not French and the Eden Roc
was not baroque. It was just my style," said Lapidus. "A style that
is simply an expression of my own ideas, not an expression of a
particular school of architecture. I developed a style that nobody
can name, but which architects around the world are today attempting
to copy."
Source:
Eden Roc
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